Lincoln in the Bardo

Lincoln in the Bardo

A Novel

Book - 2017
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#1 NEW YORK TIMES BESTSELLER * The long-awaited first novel from the author of Tenth of December : a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented

February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. "My poor boy, he was too good for this earth," the president says at the time. "God has called him home." Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy's body.

From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state--called, in the Tibetan tradition, the bardo--a monumental struggle erupts over young Willie's soul.

Lincoln in the Bardo  is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction's ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

Praise for Lincoln in the Bardo

"A luminous feat of generosity and humanism." --Colson Whitehead, The New York Times Book Review

"A masterpiece." -- Zadie Smith

"Ingenious . . . Saunders--well on his way toward becoming a twenty-first-century Twain--crafts an American patchwork of love and loss, giving shape to our foundational sorrows." -- Vogue

"Saunders is the most humane American writer working today." --Harper's Magazine

"The novel beats with a present-day urgency--a nation at war with itself, the unbearable grief of a father who has lost a child, and a howling congregation of ghosts, as divided in death as in life, unwilling to move on." -- Vanity Fair

"A brilliant, Buddhist reimagining of an American story of great loss and great love." --Elle

"Wildly imaginative" --Marie Claire

"Mesmerizing . . . Dantesque . . . A haunting American ballad." -- Publishers Weekly (starred review)

"Exhilarating . . . Ruthless and relentless in its evocation not only of Lincoln and his quandary, but also of the tenuous existential state shared by all of us." -- Kirkus Reviews (starred review)

"It's unlike anything you've ever read, except that the grotesque humor, pathos, and, ultimately, human kindness at its core mark it as a work that could come only from Saunders." --The National
Publisher: New York :, Random House,, [2017]
Edition: First edition
Copyright Date: ♭2017
ISBN: 9780812995343
0812995341
Characteristics: 341 pages ;,25 cm

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Winner 2017

Paired with Junction 56's Black Raspberry Gin for Booktoberfest 2018


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o
oPod
Jul 16, 2020

At first a patchwork of citations and ghost or spirit dialogues. As time passes ghosts come to terms with their predicament, their lives lived and when ready they pass onto the next realm. A tale experimental and refreshing in a way, didn't come together as it was a graveyard's lingering souls' cacophany, a variety of voices that only found worthwhile moments of meaning at the intervals where the cast of ghosts' issues resolved with their contentment and ascent. As in life and death amongst the blathering there are some gleamings to be found. Perhaps, a moral or two is thrown around. Audio book is read by a very impressive cast of comedians, but the tale lacked humor and glib was an inadequate substitution.

multcolib_susannel Jun 30, 2020

From the time you open this book to the time you slam it shut, your brain will be taken on a wild rollercoaster ride through a cemetery where some occupants are living and some dead, but all want to tell their story!

m
maipenrai
Feb 22, 2020

I wanted to like this book, but found the audiobook distracting because of citations. The cacophony of the dead was far too much a part of the story and detracted from focus on Lincoln and his grief over the loss of his beloved son. Disappointed. Bookwoman and Abby Tabby

t
thegipples
Dec 21, 2019

Unreadable. Not experimental, just unreadable.

p
posie12
Sep 06, 2019

Interesting read. Try the "Afterlife of George Cartright " Hell can be a variation of things.

u
UM72
Aug 18, 2019

I chose this book as my "Award Winner" for the Adult Reading Program. It WAS a winner. I'd not heard of the Bardo ( a liminal state between death and rebirth in Tibetan tradition) before, and George Saunders explores it vividly in this book. The references to, and quotes from history, help ground the story in some reality, while the characters' experiences are fantastical. This book is moving, entertaining, thought-provoking and memorable.

k
kmcdouall
Aug 02, 2019

Saunders has long been a master of short-form surrealistic satire, and now he has proved equally adept with this longer work. He has, in fact, invented a new form of novel, combining historical documents with imaginative forays into worlds of grief and loss. As with any of Saunders work, these excursions into the realm of fantasy provide opportunities for reflections on real-world issues. Saunders here has made a powerful statement about the the risks of attachment and denial, with what is for him an ultimately hopeful message.

f
fionajay
May 22, 2019

Shortlisted for the 2019 International Dublin Literary Award.

h
HujeBohoc
Apr 26, 2019

George Saunders has to be commended for trying something new in this novel: it's the story of Abraham Lincoln's 11-year old son, Willie, who dies and ends up in some sort of in-between world, the "Bardo". The novel's originality is that it is told by dozens of characters who are also in the Bardo.
I was not completely convinced with this form of writing, but the novel is extremely moving at times, especially when we witness Abraham Lincoln's absolute devastation after his son's death. It is impossible for a reader with a heart, especially if you have a child who is Willie's age, to stay indifferent.

w
Waluconis
Mar 13, 2019

George Saunders' novels are always unique. This concerns itself with the after-life, termed the Bardo in the Tibetan Book of the Dead ("Bardo Thodol". That book is not mentioned in this novel, but it is the immediate after-life, where souls can be stuck. Here it is located in a cemetery with many souls involved, some of whom have been there for some time. They move through the landscape and interact in a manner that is at least partially - Dante meets Samuel Beckett. The way that all directly express themselves reminds one of Dante, even though they all do not know they will not return to that "previous place", as it is called. But in this case their feeling of hopelessness has dialogue like the characters in a Beckett play. "Nothing to be done" from "Waiting for Godot" turns into "Nothing to be done about it. Nothing ever to have been done about it." But hold on - what about Lincoln? Well, he and his son who has just died are at the heart of the story. Lincoln's grief is so strong that it extends his connection to his son into the afterlife. The material realities of the world are presented in a matter-of-fact way with cited quotations of primary source material from the time period. This makes an interesting contrast with the souls who have trouble moving on from a lost life that was in most cases violent and disturbing. The dispossessed, the lost, those who died in the 19th century, grief, anxieties, hopes, wishes, aspirations - Saunders pulls all these together in a convincing and unforgettable way. I also enjoyed listening to the Audio book, which has many readers (including the author and David Sedaris) to read all of the voices and historical quotations. It was very helpful in making one's way through the many voices and bringing the novel closer to us.

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LThomas_Library
May 05, 2018

Other: Topics: Death, super natural.

l
LThomas_Library
May 05, 2018

Frightening or Intense Scenes: Intense empathetic scenes.

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LThomas_Library
May 05, 2018

Coarse Language: Moderate language.

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LThomas_Library
May 04, 2018

LThomas_Library thinks this title is suitable for 17 years and over

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JCLChrisK Oct 17, 2018

All were in sorrow, or had been, or soon would be. It was the nature of things. Though on the surface it seemed every person was different, this was not true. At the core of each lay suffering; our eventual end, the many losses we must experience on the way to that end. We must try to see one another in this way. As suffering, limited beings, perennially outmatched by circumstances, inadequately endowed with compensatory graces.

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